Getter has signed with UTA for representation, which feels like the official next chapter for an artist who’s made a career out of doing everything a little bit sideways.

Still managed by ALL BUT 6, the producer/rapper/meme engine currently racks up over 465,000 monthly listeners on Spotify, with his top cities reading like a Bass Canyon field guide: Denver, Chicago, Los Angeles, Phoenix, and Dallas. If you’ve ever had your ribcage tested by subwoofers in any of those zip codes, odds are Getter was involved.

Born Tanner Petulla, Getter built his name in the early dubstep explosion—first as the guy your favorite DJ was sneaking into sets, then as a bona fide headliner with his own cult following. He released early bangers

DVBBS has signed with Ace Agency for worldwide representation, because when your discography still causes spontaneous crowd surges and your drop catalogue doubles as cardio, it’s probably time to recalibrate the booking strategy.

Ace will represent the duo globally, with North America (U.S. and Canada) handled in collaboration with IAG (Independent Artist Group)—a smartly layered setup for a group that plays both global mega-festivals and highly curated cross-genre shows.

Still managed by STRVCTVRE, DVBBS first detonated onto the scene with “Tsunami”, the 2013 hit that became EDM’s unofficial natural disaster. The 2014 vocal version with Tinie Tempah went No. 1 on both the UK Singles and Dance charts, and the track hasn’t really stopped echoing through festival fields since.

But this isn’t just nostalgia. DVBBS has 12 platinum singles,

Sunnery James & Ryan Marciano have signed with Anna Agency for representation across Europe, Asia, the Middle East, and Oceania, which is less of a “new era” move and more of a finely-tuned geographic shuffle. The duo stays with UTA for North America, because of course: when your tribal-house empire spans four continents, you need a multi-pronged booking strategy that’s as layered as your percussion tracks.

The Dutch DJ-producer pair first broke out with 2013’s “S.O.T.U” (with Nicky Romero), a Beatport Top 100 smash and a track title that still reads like EDM shorthand for world domination. Since then, they’ve served up peak-hour anthems like “Triton,” “Salute,” and “Come Follow,” cycling through Spinnin’ Records before staking out their own lane with SONO Music under the Armada Music umbrella—a label that doubles as a calling card for their distinctively

Dimitri Vegas & Like Mike have signed with Independent Artist Group for representation, which is probably less about a change in direction and more about updating the machinery behind one of dance music’s most persistent export operations.

The Belgian-Greek brothers have built their careers on scale: crowd sizes, BPMs, and enough pyrotechnics to register on climate maps. Ranked No. 1 on DJ Mag’s Top 100 list in both 2015 and 2019 (and reliably hovering around No. 2 in between), they’ve been EDM royalty for over a decade—and like most royalty, their empire runs on infrastructure. Smash The House, their label founded in 2010, still churns out festival bait with algorithmic precision.

Their catalog includes massive crossover moments like “Tremor” with Martin Garrix and “Higher Place” with Ne-Yo, but the real asset is their presence. Think Tomorrowland, Creamfields, EDC, UNTOLD, and