Remi Wolf—the funk-pop maximalist with a paint-splattered soundboard and the vocal swagger of a millennial Janis Joplin on a Red Bull bender—has officially signed with Red Light Management for management. The move comes just about a year after she dropped her album Big Ideas (July 2023, Island Records), a record that asked the question, “What if Prince, Beck, and the Teletubbies all collaborated in a hotbox?” and somehow made it work.
Wolf continues to be repped by TBA Agency for live bookings worldwide outside of Europe and the UK, with CAA handling her European/UK touring, because global funk distribution requires careful territorial delineation. On the publicity front, it’s Biz3 in the US and Imran Malik Publicity in the UK, an international split that suggests her email chains now have more CCs than a Google Doc in startup purgatory.
With over 4 million monthly listeners on Spotify, Remi’s streaming footprint is as loud as her stage fits. Her top markets—Chicago, New York City, Los Angeles, Brooklyn, and Sydney—are essentially the core of any indie-sleaze revival movement, which makes sense given she’s been sonically flirting with ‘00s chaos in a way that feels more deliberate than nostalgic.
Live, Wolf has been a fixture on the festival circuit with appearances at Coachella, Lollapalooza, Outside Lands, Austin City Limits, and Primavera Sound. Her sets are typically part party, part emotional exorcism, and part thrift-store fashion show—all at a BPM that makes bathroom breaks feel like a tactical error.