Remi Wolf—the funk-pop maximalist with a paint-splattered soundboard and the vocal swagger of a millennial Janis Joplin on a Red Bull bender—has officially signed with Red Light Management for management. The move comes just about a year after she dropped her album Big Ideas (July 2023, Island Records), a record that asked the question, “What if Prince, Beck, and the Teletubbies all collaborated in a hotbox?” and somehow made it work.

Wolf continues to be repped by TBA Agency for live bookings worldwide outside of Europe and the UK, with CAA handling her European/UK touring, because global funk distribution requires careful territorial delineation. On the publicity front, it’s Biz3 in the US and Imran Malik Publicity in the UK, an international split that suggests her email chains now have more CCs than a Google Doc in startup purgatory.

With over 4 million monthly listeners on Spotify, Remi’s streaming footprint is as loud as her stage fits. Her top markets—Chicago, New York City, Los Angeles, Brooklyn, and Sydney—are essentially the core of any indie-sleaze

Soul-pop powerhouse Joss Stone has officially signed with Pure Represents for representation in Europe and the UK, rounding out an international rep lineup that’s as globally mobile as her discography. She continues to be repped by UTA for the rest of the world, while her PR remains split between Full Scope PR (U.S.) and DWL Music PR (UK)—a fittingly diplomatic arrangement for a singer who once played live in over 200 countries during her Total World Tour.

Stone currently draws over 1.2 million monthly listeners on Spotify, with her top markets including São Paulo, Santiago, Rio de Janeiro, Amsterdam, and Buenos Aires—proof that her soul-infused vocals and barefoot-bohemian vibe still resonate deeply across both hemispheres. Her most recent release, “Loving You” with Shaggy, dropped in September 2023 as an independent single, blending reggae-tinged warmth with her trademark retro soul delivery.

And while Joss may not dominate headlines like some of her pop contemporaries, her festival résumé reads like a highlight reel:

Corson Agency just added 2 people to its agency. Brian Lachman has signed on as an agent, bringing with him a sonic arsenal of bass-driven and electronic talent including Dirty Audio, ALRT, Chamberlain, CODES, and Dack Janiels.

Lachman’s move is less about changing desks and more about signaling a deliberate push by Corson into the aggressive corners of the electronic and heavy music world. Previously Head of EDM and Metal at Prysm Talent Agency, Lachman wasn’t just booking club slots—he founded their Metal division, making him a bit of a genre diplomat in an agency world that often doesn’t know what to do with death growls and dubstep in the same spreadsheet.

It’s also a bit of a two-for-one deal. Karina Thomas, who joined Prysm as a junior agent and Lachman’s assistant in September of last year, is making the leap to Corson as well. Think of it less as a mentorship arc and more as a carefully orchestrated backstage pass from one agency ecosystem to another. Thomas had been quietly ascending while working closely with Lachman—proof that even in the pyrotechnic world of bass music, the assistant pipeline is still where careers get built.

Lachman also brings credibility from his time in

The All-American Rejects have officially signed with Biz3 for PR—a move that suggests they’re not just reminiscing about the glory days of mid-2000s radio, but actively writing their next chapter. The band continues to be repped by UTA for touring and managed by High Maintenance Management, forming a team that seems equal parts nostalgic and strategic, kind of like wearing a vintage band tee with a $1,000 leather jacket.

The All-American Rejects Spotify Monthly Listeners GrowthSource: Booking Agent Info

And there’s real momentum here. Since December, the Rejects’ Spotify monthly listeners have quietly surged from 7 million to over 10 million—growth that isn’t

Alt-pop artist Role Model has officially signed with Good World Management, joining a firm whose client roster includes Charli XCX, Troye Sivan, and Ariana Grande. His new reps, Brandon Creed and Dani Russin, take over management duties from Danny Rukasin of Best Friends, signaling a strategic pivot toward scale and polish. On the PR front, he continues with Toast Press, while Wasserman handles his live bookings—because someone has to translate all that bedroom pop into sold-out rooms.

Role Model Spotify Monthly Listeners GrowthSource: Booking Agent Info

The shift comes as Role Model’s career accelerates in multiple directions at once. Since releasing Kansas Anymore,

Edge of Paradise, the symphonic-metal-meets-cyberpunk-hard-rock band that sounds like the soundtrack to a dystopian space opera where androids have trust issues, has a new booking agency. The Kirby Organization (TKO) will now handle the band’s representation worldwide—everywhere except South America, where IDL Entertainment continues to hold court. FM Music Management remains firmly at the helm, guiding the group’s overall strategy like a gothic Gandalf.

Spotify puts their monthly listener count north of 41,000, with Helsinki, Los Angeles, Stockholm, Jakarta, and Ashburn, Virginia forming a surprisingly geographically scattered fan map. (What do Finnish metalheads and suburban Virginians have in common? Apparently, a taste for power vocals and post-apocalyptic guitar riffs.)

Touring-wise, the band has previously jumped on lineups with genre heavyweights like HammerFall and Sonata Arctica, which in metal circles is the equivalent of getting knighted at the castle gates.

Three Days Grace has signed with IAG for representation across the United States and Mexico, expanding their North American touring team. They remain with Joel Baskin at The Feldman Agency for Canadian representation and continue to be repped internationally by Wasserman Music. Management remains with Q Prime, whose longstanding partnership with the band has guided their evolution from post-grunge stalwarts to arena rock mainstays.

Three Days Grace Spotify Monthly Listeners Growth (Dec -June 2025)

With over 16.4 million monthly listeners on Spotify, the multi-platinum

Duke Dumont, the genre-shaping producer and DJ behind some of the most enduring dance anthems of the last decade, has tapped UK-based DawBell for PR representation. He continues to be managed by Redlight Management and represented by Wasserman for live bookings.

Best known for his breakout 2013 single “Need U (100%)” featuring AME—which hit No. 1 on the UK Singles Chart and earned a Grammy nomination—Dumont has remained a staple of global dance music with hits like “Ocean Drive,” “I Got U,” and “The Power.” His 2020 debut album Duality showcased his evolution from festival king to introspective producer, blending house, ambient, and soul-inflected electronica.

Today, he dropped his latest single, “I Need You Now,” via EMI—another melodic slow-burner with his signature emotional punch.

Dumont has played some of the biggest stages in the world, including Coachella, Tomorrowland, Creamfields, Ultra Music Festival, and Electric Daisy Carnival. With over 8.8 million monthly listeners on Spotify, his top markets—London, Sydney, Dublin, Melbourne, and Manchester—show

NLE Choppa has signed with Wasserman for representation. If you’re looking for chill, NLE Choppa is not your guy. The Memphis-born rapper—who went platinum at 16 and now commands north of 17.5 million monthly Spotify listeners—has built his brand on full-throttle energy, clean-living contradictions, and a catalogue that toggles between raw menace and surprisingly introspective bars.

Now, he’s turning that momentum into management muscle, signing with Wasserman for representation just as he hits the road on Lil Baby’s WHAM World Tour. It’s a move that aligns one of hip-hop’s youngest disruptors with one of entertainment’s

Ty Dolla $ign, whose stage name sounds like an accounting error but whose discography sounds like money, has officially left WME and signed with Wasserman. The new team: Matt Adler, Brent Smith, Tessie Lammie, and James Rubin. That’s four agents for one artist, which is either overkill or a statement of intent.

The agency switch comes as Ty readies his new solo album, TYCOON, set for release July 18 via Atlantic. Presumably, the title is aspirational, but also accurate—this is a man who’s quietly featured on half your playlist and probably owns a solid chunk of your summer memories.

He’s still managed by SALXCO and repped for PR by Biz3, meaning the business infrastructure remains unchanged. Only the outer shell—the shiny Wasserman badge—has been swapped.

Strategically, the timing makes sense. He’s fresh off Vultures 1 and 2, his very loud collaboration with Ye (the artist formerly known as the artist formerly known as Kanye West), which put him back in the cultural bloodstream like an intravenous drip of chaos and melody.

But Ty isn’t just the guy you call for a hook when The Weeknd is busy. His solo work has been influential in its own right—“Paranoid,”