Netsky has signed with Wasserman for worldwide representation—excluding North and South America—because when your fanbase spans five continents and your genre of choice moves at 174 BPM, you need an agency that can keep pace without asking for a translation.
The Belgian producer, known for wrapping drum and bass in melody and serotonin, currently pulls in nearly 2 million monthly Spotify listeners, with top cities like Brussels, London, Auckland, Prague, and Manchester—essentially a map of places where people still believe in dance music as therapy.
His latest release, “Out of Body” with fellow Belgian Andromedik, came via Payday Records and leans into what Netsky does best: high-energy euphoria that somehow still feels personal. It’s not just DnB—it’s DnB with feelings, bottled and filtered through synths that sound like sunrise and regret in equal parts.
If you’re just joining the story: Netsky (real name Boris Daenen) came up through Hospital Records, where his early 2010s output helped define what liquid drum and bass would sound like to a generation raised on SoundCloud uploads and early YouTube rips. Then came a pivot to the majors, a deal with Sony, and a string of genre-jumping collaborations—Emeli Sandé, Digital Farm Animals, Jauz—each one a reminder that he can stretch his sound without snapping it.
Live, he’s less DJ set and more kinetic therapy session. Tomorrowland, Ultra, Glastonbury, Coachella, Reading—Netsky doesn’t just play festivals, he rinses them clean. Often with a full band. Because of course. If your BPMs are that high, someone’s got to play drums.
So yes, Netsky just signed with Wasserman for global rep (minus the Americas). But this isn’t about finding gigs—it’s about placing bets. The kind where a Belgian producer with a jazz-school background and a soft spot for big hooks continues to scale, quietly and efficiently, while everyone else is still deciding whether drum and bass is having a moment again.
