Marsal Ventura has signed with Analog for worldwide representation, which feels right for a DJ who treats genres the way tapas treats food groups—grab a little of everything, don’t overthink it, and make sure it pairs well with something loud.
Ventura’s not new to this. He’s been building dancefloors and twisting expectations since long before techno flamenco was something people took seriously—or Googled to make sure it wasn’t a typo. Now, he’s clocking 255,000 monthly listeners on Spotify, with Spain lighting up the heatmap like it’s voting in Eurovision. Madrid, Barcelona, Valencia, Bilbao, Málaga—it’s less of a fanbase and more of a distributed rhythm section.
His latest remix, “Caballo Maldito,” blends techno kick drums with flamenco handclaps like it’s trying to out-seduce both Berlin and Seville at the same time. And somehow, it works. It’s not EDM. It’s not traditional. It’s… emotionally percussive. It’s what happens when you turn a Spanish horse chant into a club anthem.
Marsal’s played the big ones—Tomorrowland, Medusa Festival, Barcelona Beach Festival, Electrobeach, and the kind of Ibiza lineups where the only real dress code is “Don’t let the confetti cannon hit you in the face.” He’s shared the stage with Guetta, Garrix, Aoki, Armin. Not bad for a guy whose music sometimes includes actual castanets.
So what does Analog get out of this? A multi-format artist with enough melodic intuition to headline a techno tent, and enough national pride to remix your abuela’s ringtone. What does Marsal get? More global stages, more curious ears, and maybe, finally, someone who can explain his genre in under 15 seconds without using their hands.
