Camila Cabello has signed with Full Stop Management. Because sometimes, to move forward, you need to slam the door, blow a kiss through the rearview, and text Jeffrey Azoff.

Cabello continues to be repped by WME for bookings and Edge Publicity for PR, suggesting that while the engine is being rebuilt, the paint job stays flawless.

The move brings the Havana-born, chart-certified superstar under the wing of a management powerhouse whose client roster is more stacked than a Grammy green room. She’ll now be managed by Azoff, Tina Kennedy, Maria Chon, and Gian Mitchell—Mitchell notably making the jump with her from her previous team, a subtle nod to continuity in the middle of a very intentional pivot.

This new chapter comes after Cabello parted ways earlier this year with longtime manager Roger Gold, a figure who wasn’t just a behind-the-scenes architect of her solo rise but also a co-founder of 300 Entertainment—a label known for signing disruptors.

The timing is no

LOCASH has signed with CAA for representation, because if you’re going to double down on country-pop stardom, you might as well do it with the biggest chip stack in town.

The duo—Preston Brust and Chris Lucas, co-pilots of stadium singalongs and backroad anthems—just dropped their latest album Bet The Farm in April via Galaxy Label Group. The title alone feels like a mission statement: high-risk, high-reward, and unmistakably on-brand for two artists who’ve made a career out of betting on themselves—and winning.

Best known for their platinum-certified crowd-pleaser “I Love This Life” and their chart-topping No. 1 hit “I Know Somebody,” LOCASH doesn’t just flirt with radio—they practically live there. Their blend of Nashville polish and tailgate bravado has earned them multiple ACM and CMT award nominations, not to mention the kind of fan loyalty that turns support acts into headliners.

Speaking of which, they’ve shared the road with heavyweights like Tim McGraw, Keith Urban, and Florida Georgia Line—names

If rap careers had earnings calls, YG’s latest announcement would open with: “We’re thrilled to report strategic alignment with a new global partner.” That partner? United Talent Agency. The move signals that YG, the Compton mainstay who once made the phrase “Bompton” a part of hip-hop’s vernacular, is looking to turn his multiplatform hustle into a truly international operation.

Fresh off the May release of “Hollywood” (featuring Shoreline Mafia and plenty of laid-back menace), YG’s trajectory isn’t just about Billboard placement anymore—it’s about brand architecture. UTA now reps him across the board, joining a roster that’s increasingly loaded with hip-hop’s hybrid creators: artists who double as CEOs, label heads, fashion moguls, and founders of niche wellness brands.

Yes, wellness. If you missed the deck, YG co-founded Trimm, a recovery-forward health brand, because even rappers need turmeric and cold plunges. He also helms 4Hunnid, a fashion label that walks the line between street-certified and boutique bait, tapping into his West Coast aesthetic while maintaining distribution muscle and cultural cachet.

Performance-wise,

Remi Wolf—the funk-pop maximalist with a paint-splattered soundboard and the vocal swagger of a millennial Janis Joplin on a Red Bull bender—has officially signed with Red Light Management for management. The move comes just about a year after she dropped her album Big Ideas (July 2023, Island Records), a record that asked the question, “What if Prince, Beck, and the Teletubbies all collaborated in a hotbox?” and somehow made it work.

Wolf continues to be repped by TBA Agency for live bookings worldwide outside of Europe and the UK, with CAA handling her European/UK touring, because global funk distribution requires careful territorial delineation. On the publicity front, it’s Biz3 in the US and Imran Malik Publicity in the UK, an international split that suggests her email chains now have more CCs than a Google Doc in startup purgatory.

With over 4 million monthly listeners on Spotify, Remi’s streaming footprint is as loud as her stage fits. Her top markets—Chicago, New York City, Los Angeles, Brooklyn, and Sydney—are essentially the core of any indie-sleaze

Soul-pop powerhouse Joss Stone has officially signed with Pure Represents for representation in Europe and the UK, rounding out an international rep lineup that’s as globally mobile as her discography. She continues to be repped by UTA for the rest of the world, while her PR remains split between Full Scope PR (U.S.) and DWL Music PR (UK)—a fittingly diplomatic arrangement for a singer who once played live in over 200 countries during her Total World Tour.

Stone currently draws over 1.2 million monthly listeners on Spotify, with her top markets including São Paulo, Santiago, Rio de Janeiro, Amsterdam, and Buenos Aires—proof that her soul-infused vocals and barefoot-bohemian vibe still resonate deeply across both hemispheres. Her most recent release, “Loving You” with Shaggy, dropped in September 2023 as an independent single, blending reggae-tinged warmth with her trademark retro soul delivery.

And while Joss may not dominate headlines like some of her pop contemporaries, her festival résumé reads like a highlight reel:

Corson Agency just added 2 people to its agency. Brian Lachman has signed on as an agent, bringing with him a sonic arsenal of bass-driven and electronic talent including Dirty Audio, ALRT, Chamberlain, CODES, and Dack Janiels.

Lachman’s move is less about changing desks and more about signaling a deliberate push by Corson into the aggressive corners of the electronic and heavy music world. Previously Head of EDM and Metal at Prysm Talent Agency, Lachman wasn’t just booking club slots—he founded their Metal division, making him a bit of a genre diplomat in an agency world that often doesn’t know what to do with death growls and dubstep in the same spreadsheet.

It’s also a bit of a two-for-one deal. Karina Thomas, who joined Prysm as a junior agent and Lachman’s assistant in September of last year, is making the leap to Corson as well. Think of it less as a mentorship arc and more as a carefully orchestrated backstage pass from one agency ecosystem to another. Thomas had been quietly ascending while working closely with Lachman—proof that even in the pyrotechnic world of bass music, the assistant pipeline is still where careers get built.

Lachman also brings credibility from his time in

The All-American Rejects have officially signed with Biz3 for PR—a move that suggests they’re not just reminiscing about the glory days of mid-2000s radio, but actively writing their next chapter. The band continues to be repped by UTA for touring and managed by High Maintenance Management, forming a team that seems equal parts nostalgic and strategic, kind of like wearing a vintage band tee with a $1,000 leather jacket.

The All-American Rejects Spotify Monthly Listeners GrowthSource: Booking Agent Info

And there’s real momentum here. Since December, the Rejects’ Spotify monthly listeners have quietly surged from 7 million to over 10 million—growth